gatsby, color symbolism, commercial success, daisy, green light
Lai Wei. Color Symbolism and American Dream in Luhrmann’s The Great Gatsby. CHR (2021) CHR ICEIPI 2021: 10-14. DOI: 10.54254/chr.iceipi.2021153.
: Marcus, Greil. “HE TOO WAS A GREAT GATSBY.” Under the Red White and Blue: Patriot-ism, Disenchantment and the Stubborn Myth of the Great Gatsby, Yale University Press, New Haven; London, 2020, pp. 125–146.
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: Fitzgerald, F. Scott. The Great Gatsby. SCRIBNER. 1230 Avenue of the Americas New York, NY 10020.
: Plath, James. “In an Odd Light: Kipling's Maisie and Fitzgerald's Daisy.” The F. Scott Fitzgerald Review, vol. 6, 2007, pp. 95–104.
: Schreier, Benjamin. “The Great Gatsby’s Betrayed Americanism.” The Power of Negative Think-ing: Cynicism and the History of Modern American Literature, University of Virginia Press, 2009, pp. 116–144.
: Elmore, A. E. “Color and Cosmos in The Great Gatsby.” The Sewanee Review 78.3 (Summer 1970): 427-443.
: Lance, Jacqueline. “The Great Gatsby: Driving to Destruction with the Rich and Careless at the Wheel.” Studies in Popular Culture, vol. 23, no. 2, 2000, pp. 25–35.
: Morgan, Tom. “Sentimentalizing Daisy for the Screen.” The F. Scott Fitzgerald Review, vol. 12, no. 1, 2014, pp. 13–31.