Communications in Humanities Research

- The Open Access Proceedings Series for Conferences


Communications in Humanities Research

Vol. 13, 20 November 2023


Open Access | Article

Exploration of Chinese Film and Television Paths under the Influence of the Globalization of Japanese Film and Television Culture ——Taking Hachi: A Dog’s Tale as an Example

Yuanyue He * 1
1 Hainan University

* Author to whom correspondence should be addressed.

Advances in Humanities Research, Vol. 13, 1-6
Published 20 November 2023. © 2023 The Author(s). Published by EWA Publishing
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
Citation Yuanyue He. Exploration of Chinese Film and Television Paths under the Influence of the Globalization of Japanese Film and Television Culture ——Taking Hachi: A Dog’s Tale as an Example. CHR (2023) Vol. 13: 1-6. DOI: 10.54254/2753-7064/13/20230183.

Abstract

In the background of globalization, the development of the Internet and media has brought countries around the world closer together, and cultural communication has become more frequent. Japanese film culture is also playing a more important role around the world. This article takes the Chinese version of the film Hachi: A Dog’s Tale adapted from the Japanese screenplay ハチ公 as an example, combines the relationship between structure and events, globalization theory and localization theory, and takes the localized adaptation of this film as the starting point to discuss the enlightenment of Japanese film and television culture to the development direction of Chinese film and television from multiple perspectives such as casting and location. It will talk about relevant policies, cultivating talents, and maintaining innovative practices from the aspects of government, enterprises and individuals, as well as the importance of maintaining cultural uniqueness in the process of localization, and finally provide new ideas for the development of China’s film industry.

Keywords

Japan, globalization, film culture, Hachi: A Dog’s Tale, China

References

1. Mao Junlin. (2017) On the Acceptance and Development of Anime Film and Television Works in the United States. Film Review, 561(07):85-87.

2. Wang Ying. (2012) The spread and influence of Japanese film and television works in China. people’s forum, 384(32):162-163.

3. Koichi Iwabuchi. (2002) “Soft” nationalism and narcissism: Japanese popular culture goes global, Asian Studies Review, 26:4, 447-469.

4. Li Wengang. (2014) Anthropological research on the relationship between event, structure and history. Guangxi ethnic studies, (4):74-82.

5. Chen Wei. (2020) Localized narration from cross-cultural communication to film and television remake. audio visual, 163(11):61-62.

6. Liu Luoqi. (2023) Xu ang, director of “Loyal Dog Hachiko”, said, “you have to wait for a gift” to shoot animal scenes , China film news,2023-04-05(007).

7. Ge Yiting. (2023) The box office of ‘Eight Dogs of Loyalty’ has exceeded 100 million yuan: Why is the old story of man and dog still moving, China business news, 2023-04-06(A12).

8. Feng Jie. (2012) The elimination of cultural hegemony center by the “secondary flow” of film and television media -- Taking the cultural soft power of film and television trade as an example. contemporary film, 195(06):118-123.

9. Wu Shan. (2010) “Hachi: A Dog’s Story”: cultural convergence or national personality. film literature, 519(18):43-44.

10. Yu Zhiyuan. (2019) Glory and decline: the background, influence and Enlightenment of East Asian pop culture -- Taking Japanese animation, Chinese Hong Kong films and Korean fashion as examples. Journal of Hefei University (Comprehensive Edition), 36(01):75-80.

11. Gu Jiawei. (2018) The development experience of Japanese cultural soft power and Its Enlightenment to China. Jiangxi University of technology.

12. Yang Guang. (2011) A study of the spread of Japanese film, television and animation in the Chinese context. Central University for nationalities, 47.

Data Availability

The datasets used and/or analyzed during the current study will be available from the authors upon reasonable request.

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. Authors who publish this series agree to the following terms:

1. Authors retain copyright and grant the series right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this series.

2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the series's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this series.

3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See Open Access Instruction).

Volume Title
Proceedings of the International Conference on Global Politics and Socio-Humanities
ISBN (Print)
978-1-83558-115-5
ISBN (Online)
978-1-83558-116-2
Published Date
20 November 2023
Series
Communications in Humanities Research
ISSN (Print)
2753-7064
ISSN (Online)
2753-7072
DOI
10.54254/2753-7064/13/20230183
Copyright
20 November 2023
Open Access
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited

Copyright © 2023 EWA Publishing. Unless Otherwise Stated